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Bernardo Ternali's Theatre Macabre


Bernardo Ternali, 1899-1951

The son of Italian immigrants who achieved considerable success in Santa Rosa’s early 20th century cannery operations, Bernardo Ternali leased the 6th Street Warehouse from 1941 until his untimely death in 1951, when he was crushed by a large rolling door. He used the warehouse for running a largely- unsuccessful theater company for the last ten years of his life.

Bernardo opened his theater in 1941, the year America began fighting in World War II. As Americans rolled up their sleeves for the war effort, Bernardo struggled to get his fledgling theater company, the Rose City Players, off the ground. Money was tight, as the country struggled to emerge from the Great Depression, and resources were scarce due to the war effort. It was not the best time to begin a new venture.

The building Bernardo had chosen also had a problem with ghosts. The site was reputed to be located over a Pomo Indian graveyard, and many claimed the ancient spirits were unhappy with its new industrial usage. A series of busy cannery operations adjacent to a bustling railroad freight yard and woolen mill embodied a number of grisly industrial accidents and deaths over the years, and those spirits were also reputed to linger around the old warehouse.

At first, the manifestations were few and barely noticeable, but the ghosts seemed to feed upon the energy of the actors working in the space, and the manifestations steadily intensified over time. A series of inexplicable accidents and small fires always seemed to offset the meager earnings of the box office during the venture’s early years.

By  1950, the theater was beginning to emerge from its shadow of poverty. The war had ended, and more and more people were going out. Emboldened by better box office numbers and tired of dealing with the high turnover rate of actors fearful of the ghostly reputation of the warehouse, Bernardo decided to deal with the matter by employing a medium, in the hopes that through communication with the other side, he might persuade the spirits to depart.

But the medium he found was unprepared for the task. Over the course of several sessions employing a Ouija board, the medium established contact with countless entities, but the spirits were decidedly unfriendly and adamantly refused to relocate. Moreover, the medium suffered a heart attack during the intense final session, which was never properly closed. More spirits poured through the portal, and the theater became a playground for ghosts. During its final year of operation, Bernardo’s theater saw a steady reduction in both cast and audience due to constant ghostly disturbances during rehearsals and shows.

It was a depressing October night for Bernardo when he decided to close the theater’s doors for good. He stayed late, consuming an entire bottle of wine by himself as he wandered through the theater alone, saying good-bye to his dream. As he prepared to close the heavy, gravity-mounted rolling door at the front entrance, something went wrong, and he was crushed to death as the door came crashing downward. Newspaper accounts of the tragedy the following day mentioned that Bernardo’s body was found bisected, half inside and half outside the rolling door.

Over the decades since Bernardo’s death, the building has housed many businesses, but reports of ghostly manifestations have prevented any business for operating within its walls for very long. Tales of ghosts enacting their own grisly scenes on a sidereal stage have persisted over the years; the reports indicate an acceleration of sightings during the month of October. Many have said Bernardo himself still wanders the warehouse on cold October nights.

In February 2005 the 6th Street Playhouse opened its doors, after extensive remodeling of Bernardo Ternali’s old warehouse theater. Ignoring the building’s troubled history and rumors of spiritual infestation, the 6th Street Board bravely pushed forward to bring a state-of-the-art theater to the Santa Rosa community. Although ghostly sightings have been few since the theater’s opening, this will be the first October in the new theater, and our staff has braced itself for possible manifestations this month. In honor of Bernardo Ternali’s dream, we offer a tour of our facility to all interested parties.



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